JOURNALISM
OR INFORMATION WARFARE
Introduction
We live in an era where information technology has transformed the world,
making media a key pillar of the state, and journalism a potential game-changer
for any society.
However, when facts are buried and narratives weaponized, journalism ceases to
serve the public and instead becomes a tool of conflict. In this informational
landscape, platforms like The Balochistan Post and similar outlets
present themselves as voices of dissent or independent watchdogs, but in
practice, they function as part of a broader hybrid warfare ecosystem, serving
political agendas.
Their significance is derived not from truth, investigative rigor,
or accountability, but from distortion. Amplifying grievances, erasing context,
and adopting systematic silence on terrorism are their hallmarks. This is not
an accident of poor journalism but a deliberately engineered narrative. The
real question is not whether these platforms are biased, but whether their
practices can honestly be called journalism.
Journalism or Fake Generalism
This system can be described as “Fake Generalism.” In this
approach, complex realities are converted into vague accusations. Terrorism is
turned into an ambiguous conflict, criminals remain anonymous, and
accountability is so diffused that the very concept disappears. Why is the
elimination of each terrorist instantly framed as state oppression? Why are
attackers’ names erased while institutions are always put on trial? Why are
civilians sidelined while armed actors are glorified? This is not ignorance but
deliberate ambiguity designed to paralyze moral judgment.
In genuine journalism, condemnation of injustice is universal. In terrorist
media, it is not. Whether it is the killing of children at APS Khuzdar, attacks
on passengers of Jaffer Express, or mortar shelling in Awaran on Friday, these
events are met with silence—no investigation, editorial critique, or demand for
accountability. In contrast, whenever the state responds and security forces
act to prevent bloodshed, the outcry is immediate and coordinated. This
imbalance exposes the truth: such silence is not neutrality but tacit approval.
This entire cycle exemplifies Fake Generalism, not journalism.
Distortion of Facts as Routine
The narrative cycle has become routine. First, civilians or public
installations are targeted; when the attack fails to achieve its desired
effect, blame is quickly shifted onto the state. Anonymous witnesses, old
photographs, and unverified claims are circulated. The question is simple but
decisive: if stability benefits the state, who profits from chaos? Events like
Awaran are important precisely because facts are so quickly converted into
accusations. The goal is not truth but providing a narrative shield for
terrorism.
What kind of Journalism is this which exists only to put False
Labels?
Which journalism fears streets, hospitals, and livelihoods? In
Balochistan, initiatives like youth empowerment internships, Prime Minister’s
Youth Skill Development programs, Reko Diq partnerships, dualization and
construction of roads (NH 65, N 25 , M 8), Balochistan Special Development
Initiative (BSDI), Public Sector development Programme (PSDP) Construction of
Stadiums, Awaran Cultural Festival, and Pak-China Friendship Hospitals present
tangible, measurable progress. Yet, this terrorist media renders development
invisible, branding hope as propaganda. If this is not progress, then what is perpetual-deprivation?
Some questions must be asked directly. Is extortion “resistance”? Is oppression
“revolution”? Is killing poor laborers “freedom”? These are crimes, repeatedly
documented. Their exposure has reduced support for terrorist groups, and this
very decline fuels the narrative’s panic. The contradiction speaks for itself.
If conscience were clear, why would funding be secret? Why would
foreign capital influence editorial priorities? Exaggerated victimhood is
rewarded within political asylum systems, turning anger into currency and truth
into an unnecessary burden. This is why incidents like Awaran are not
condemned: condemnation undermines the story sold to foreign patrons.
Conclusion
The picture is clear. Proxy actors fire mortars, and military doctors treat the
wounded. Even acts of humanity are labeled propaganda. When healing is
criminalized, it becomes evident that the issue is not power but truth. If
humanity itself becomes unacceptable, where does truth remain?
As their claims unravel under scrutiny, these elements have turned
increasingly to fake reports of attacks and ambushes, along with AI-generated
videos of alleged abductions. This dependence on manufactured incidents and
digital deception is not accidental; it reflects a narrative struggling to
survive in the absence of facts. When reality no longer supports a cause,
illusion becomes its last refuge.
The question therefore arises: whose actions are truly destroying
the future of Baloch youth—the educator or the gunman? Terrorist narratives
hollow out identity, cultivate despair, and glorify violence. Opportunity is
replaced with grievance, while authority is buried beneath manufactured
victimhood. The tragedy is not in questioning power, but in being deliberately
denied the full picture.
Such propaganda survives only in darkness, sustained by selective
outrage, orchestrated silence, and now synthetic imagery. Once exposed to
light, its credibility and influence begin to collapse. This is not a call for
applause or blind alignment—it is a call for awareness. In a landscape where
narratives kill before bullets, clarity itself becomes an act of resistance
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